BLACKDOG HISTORY

 

In the beginning there was MYRDDIN (Merlin Music)

Greg Farmer and Scott Debo began writing and recording.

Named by Jayson Tipp, This project evolved into Raynes Park

Blackdog evolved from the1986 RAYNES PARK who's members included  (left to right) Greg Farmer, Lee Bowers,

Scott Debo. Jayson Tipp, Bill Hesskamp and eventually Ken Kase, Mark Huth, and other local St. Louis players. Progressive jazz - fusion

was the focus. In 1987 much of the group moved out to other projects. Myself (Scott) and Bill Hesskamp decided to seek

out a third man and try a power blues trio. Blackdog's first fruition was Bill on drums, Scott on guitar - vocals, and

Carl Caspersen on bass. We were soon joined by our former sax man Mark Huth, and began taking gigs around the bi-state area.

Our first blues show was at the old Cardinal tavern on second street in Madison, Illinois, 1987.

On the way to the gig, one of the guys asked, "What is the name of the band"? Realizing we had passed over

this small detail, and not wanting to seem unprepared I spit out "The Blackdog Blues Band". Unlike most band naming

sessions, the guys went for it, so it stuck.

Soon we would loose Carl and regain Greg Farmer on bass. Then in fall of 1990, the day Stevie Ray Vaughn died,

we met Kirby Kelley, who joined on slide guitar. At this point the focus of Blackdog shifted to showcase

Kirby and his extreme blues prowess. Later Mark would move on, and Kirby.

     

That's when we met Jerry Dean and the Mojo Tooth Band, and the

most colorful new member of Blackdog, Blind Willy. Again the focus shifted to

showcase this avant-garde sax and trumpet powerhouse.

      

Pamela Devine joined after sitting in on a magical evening at Union Station. Pamela was sharing the spotlight with

Willy and covering a good part of the vocals from a new perspective, total soul. Billy moved to nights on his day job, and in comes

Kent Stone, first as a sub, then full time and Lee Bowers on guitar and vocals, and we were set for a while.

This was the line-up that recorded Blackdog's first CD, TAKE YOUR TIME, YO PARALYZEN ME. Recorded at Smith Lee Studios

and engineered by Steve Higdon, a digital picture of what we sounded like in 1995.

 

After building an annual invite

to Boomer's V.P Fair and Blues Festival summer shows outdoors, appearing LIVE on the air on KSHE radio's

"Blue Monday" show, and the release of our first album, the 1995 season was capped off by opening the

5000 seat Regal Riverfront Ballroom on the New Years Eve bill with the "Queen of Blues" . . .

Alligator Records star, Koko Taylor. It was around this time that we felt Blackdog Rhythm and Blues would

better describe the show, and so we developed a new look and logo.

           

A couple of years of pushing the CD, playing around the bi-state area, some good airplay, and suddenly a horn section is born. . .

enter Ben Henderson on trumpet. Ben and Willy blended instantly and we begin to shift our sights to a more brass oriented sound.

Not long after, Ben brings in Kurt Silver on trombone, now it's clearly a mutiny. Lee Bowers also blew trombone with the section

The horns are here to stay. One summer night on Main street in St. Chuck, a new sound cuts through the groove,

Mike Dreyer sat in on percussion and soon to share drumming duties with Kent. Now with a VERY full sound,

we are moving toward something big, we can feel it. Now as we are set up in our studio working on a new

self produced album it's late 1997. We are nine pieces strong, many tracks have been laid . . .

We have an idea: “Let's fill the house with people, open all the studio doors, bring the

fans in the room, mic the whole house, and record a LIVE but in the studio album"

LIVE AT THE JACKSON STREET HOUSEPARTY was recorded March 28, 1998 and for all of us, it was magic.

As soon as it was released, we were honored to be "Album of the Week" on KCLC FM 89.1 Blues from the Basement

show on a Sunday night. More airplay from the classiest stations in town, WSIE 88.7, KDHX 88.1,

and now, thanks to the internet being heard in many countries around the world. Blackdog’s schedule

grows longer each year now, and with the horns and Pamela, we play upwards of nine years in a row

at the St. Louis Blues Festival, The VP Fair weekends on the landing, The Festival of the Little Hills and travel to

Hannibal, Quincy and Beloit, Wisconsin.

 

      

 

All this and something is still missing. Good keyboards.

A very experienced honkytonkbarrelhousestrideridetwofistedivoryslammin piano man

Ed Synan. Just off the road with recording artist Moe Bandy show, living locally

and needing a rhythm and blues fix. What a great addition Ed and Karen Synan made to the group,

Two nicer people you will NEVER meet. After about six years in the band, The Synans moved back down

to Branson where Ed can be seen once again at the Moe Bandy show six nights a week.

We sure did miss them, but now they are back and Ed sits in from time to time when he can.

During this time, as Ed worked in on keys, we met another wonderful addition to the group...Susan Conner.

She has added a vocal element that takes the band to new areas in music.

Harmony and lead vocals are no challenge for Susan. She is a great musician, guitarist,

and a magic personality! Susan is featured on our Acoustic Trio album.

She is working her way into the very heart of the show adding many new songs to our list.

Now as the Hot Ho Horns began to phase out of the show and we have moved toward a classic rock and

much more guitar oriented sound, we would again change the name to BLACKDOG and the RAINMAKERS.

An accurate moniker considering the years of bad weather we have endured at our outdoor shows.

    

Another recent addition has the band moving in new directions...and audiences in amazement.

Tom Smith has finally made it into the band. Tom has sat in many shows over the years, but now he

has made the leap to a full time Dog. You cannot believe the screaming sounds of this guitar slinging giant.

Not since Kirby Kelly has there been a guitarist so monumental in the band. Tom lays out lush tones

that haunt the likes of Robin Trower, Eric Clapton, Jonny Lang, Stevie Ray, Tommy Bolin, Gary Moore,

Ritchie Blackmore and others. We have to dip his Stratocaster into a bucket of water to keep it from melting.

       

Our longtime THUNDER on the drums, Kent Stone had a job commitment that will took him out of town for a while and

so we welcomed original Blackdog drummer Bill Hesskamp back to the fold. Bill and his wife Denise

helped to start all of this back in the Eighties. Bill has a funk pocket deeper than a coal mine.

Billy is a rock solid and very creative percussionist that makes the band so solid and tight. Welcome back Billy.

With Tom, Susan and Billy and a new sound to the band, it is time to make a new CD. 

2006 was the year for our next album:

WE JAM MORE LIKE WE DO NOW THAN WE EVER HAVE BEFORE

    

Featured on the new album is a great friend and harp player that we met along the way from

 Tennessee, Zach Pemberton. Zach is and amazing player with a great appreciation for American blues roots

And a harp style that congers up the sounds of James Cotton, Little Walter and Charlie Musslewhite.

Zach played a couple years regularly with the band until we moved to a primarily ROCK song list.

Now Zach plays with an incredible group, Brown Bottle Fever in St. Louis and they kick ass!

Bob Mc Keown has returned on vocals and is taking a bigger role than ever singing lead on some great classics and

great harmony to round out the ever expanding sound of Blackdog.

Lee Bowers holds the record for the most positions in the band. Lee is playing keyboards, guitar and singing

with Blackdog now and has expanded our sound even more. Lee helped form the original Raynes Park project

in the middle Eighties playing trombone and awesome jazz – rock guitar.

   

In 2010 Greg and Scott reunited with two players from high school years,

Terry Melton on drums and Ben Tisckos on bass, keys and vocals. The band was VANTAGE

and the year was 1982. VANTAGE has reformed and plays a few shows a year now and

Terry and Ben can be seen on stage with Blackdog as well.

It's actually a much longer story than that, and all the dozens of musicians that stay just out on the

fringe of the regular show, so lets not forget all of the great players who we've had the great pleasure to

share the stage with in 26 years of evolution (I may never be able to name them all…) 

Carl Caspersen – Greg Farmer - Mark Huth - Bill Hesskamp – Bill Dineen - Jerry Dean – Kent Stone - Tom Smith –

Bob Mc Keown – Kurt Silver - Pamela Devine - Kirby Kelley - Jim Cook – Ben Henderson - Big Mike Villasenor – Mike Dreyer

Steve Winter - Mike Parrett – James Riggins - Don Van Gels - Terry Melton – Lew Winer - Matt Pence –

Dave Farver – Randy Biggs - Rick Davis – Kevin Rausher – Daryl Whited – Ken Kase – Jayson Tipp – Lee Bowers

Travis Hesskamp – Charlie Hankins - Zach Pemberton – Ed Synan – Susan Connor – Bob Mc Keown – Ben Tisckos – Pat Liston

We also recognize those who have given their time to help with booking, photography, bouncing,

and roadie - ing. . . Jason Hampton - Dave "Hot Horse" and Pam Couch –

Gary Brown - Karen Synan – Jerry and Carol Dean - Wes Searcy - Danny Hommes –

Jim "The Whales" Whaley and Al Pritchet – John and Judy Meixner – so many more…

 

 

      

 

 

Over the years Blackdog has come to be so much more than just a band.

Blackdog is an idea.  Blackdog is sound.  Blackdog is a commitment.

The people that have given their energy and sweat for over 25 years to make these shows happen are a piece

of every note that is played at the next show. The commitment I have seen over the years from the players,

the fans, the families is unmatched and undying. It is a joy to be a part of this team week after week and see

all of the effort and talent pull together and pour out on stage with new life and new passion.

Blackdog is a FAMILY and that is a success that cannot be undone.

 

 

   

 

 

 

Come see a show.     You’ll love it.    I guarantee it.

HOME PAGE